Saturday, January 18, 2014

Songs, scores, and controversy


Oscar music nominations 2013
It is that time of year— time to predict, hope, debate, and vent about those left out. Below are a list of the Academy Award nominations for Best Original Score and Best Original Song for 2013—along with my choice who I think should win, who I think will win, and who was left out.
Let us start with Best Original Song since this where all the raging gossip and controversy is happening, all because an unknown song from an obscure film received a nomination. Read the Hollywood Reporter story here and listen to the song and judge for yourself.
My opinion—this is sour grapes—loser talk. While I do not care for this particular tune, Bruce Broughton is an outstanding songwriter and a fantastic composer who, if anything, has been overlooked throughout his forty-year plus career. Back in the early to mid ‘80s, it seemed certain that James Horner and Bruce Broughton were poised to be the next Jerry Goldsmith and John Williams. Horner went on to A-list fame and fortune but Broughton never seemed to be able to hook up with the right film at the right time. His talent and craftsmanship is undeniable. If you are unfamiliar with his work check out “Silverado”, “Young Sherlock Holmes”, “The Boy Who Could Fly” and “Harry and the Hendersons” for starters.

Best Original Songs
"Alone, Yet Not Alone" from “Alone Yet Not Alone”
Music by Bruce Broughton
Lyrics by Dennis Spiegel
"Happy" from “Despicable Me 2”
Music and Lyrics by Pharrell Williams
"Let It Go" from “Frozen” 
Music and Lyrics by Kristen Anderson-Lopez and Robert Lopez
"The Moon Song" from “Her”
Music by Karen O (Karen Lee Orzolek) 
Lyrics by Karen O and Spike Jonze
"Ordinary Love" from “Mandela: Long Walk to Freedom” 
Music by Paul Hewson, Dave Evans, Larry Mullen and Adam Clayton (U2)
Lyrics by Paul Hewson (Bono)

What was snubbed?
Forget about Beyonce and Jay Z, the real snub here is “For the First Time in Forever” from “Frozen”—a magnificent, moving, magical song—an utter soaring, sonic delight reminiscent of the best of Alan Menkin.
My Choice:
Since my true song of the year was snubbed, I will go with the second best song from “Frozen”—and of the year—“Let It Go”.

What will win?
“Ordinary Love” of course. Hey, it’s Bono and truly is a wonderful story and a nice song.


Best Original Score
“The Book Thief” by John Williams
“Gravity” Steven Price
“Her” William Butler and Owen Pallett
“Philomena” Alexandre Desplat
“Saving Mr. Banks” Thomas Newman
What was snubbed?

What should have been the raging Oscar musical controversy of the year is why Howard Shore’s “The Hobbit: The Desolation of Smaug” was not nominated. Are you serious? Did anybody from the Academy actually listen to these scores? Are sequel scores no longer eligible?
My choice:
It is not even close—John William’s exquisite score for “The Book Thief” is in another universe than the other scores listed here.
What will win?
I have no idea. All I know is Williams will not win. He should have won for “Memories of a Geisha” in 2005. He should have easily won for “Warhorse” in 2011. Somehow the Academy must think because he is always nominated he must not win. Keep in mind despite the record-breaking 44 Best Original Score nominations, the maestro has won only four times, and has been shut out for over twenty years going back to “Schindler’s List” (1993).

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